Well, I did make my goal of 25 books read in 2016. In fact, I read 7 books this quarter for a total of 29 in 2016. This still seems fairly pitiful to me, but it’s quite an improvement over the past few years. (I really did want to make it to 30, but it just wasn’t in the cards.) So here’s what I read between October and December…
Convergence Culture by Henry Jenkins
Henry Jenkins is an unavoidable media/cultural theorist if you study film/media studies/cultural studies, and so I’m quite familiar with his work and really enjoy it. I’d never read one of his books in full, and after reading the introduction of Convergence Culture for a class I took on Netflix (I know), I decided to read the whole thing. I finally got around to it in October in the hopes that it might be useful in my graduate research. Overall, I really enjoyed it – Jenkins lays out his theory of convergence culture using popular, accessible examples, such as Survivor, Harry Potter, and Star Wars. He writes very clearly, so although I’ve read his work primarily in academic settings (and although he’s an indispensable academic theorist), his work is totally accessible to a consumer market. I found his theories compelling and clearly-articulated and his case studies well-chosen and illuminating. I’d recommend Convergence Culture to anyone who’s interested in the current media landscape and how the roles of media producer and consumer are becoming blurred.
Camera Lucida by Roland Barthes
I was assigned Camera Lucida – as well as Mythologies, which I’ll get to – in my second year of university, and, of course, did not read them. In my defense, in 200-level classes professors go over the readings in such detail that they often render it unnecessary to actually read them while still getting their contents across quite thoroughly, so I’m familiar with quite a lot of Barthes’ theories without having actually read much of his work firsthand. Once again, I undertook to read the Barthes I’d ignored in anticipation of my graduate studies. Camera Lucida was assigned in perhaps the best undergraduate class I ever took, and his theory of the punctum has stuck with me since then. Reading the entirety of Camera Lucida was a great experience – the first half of the book was especially resonant in elucidating the semiotics and poetics of the still image. I could have done with a bit less of Barthes’ famed mooning over his dead mother in the second half, but overall I found Camera Lucida a great read, and one which I expect will be of use to me in the future.
The Luminaries by Eleanor Catton
I do love my long-winded books, don’t I?! The Luminaries comes in at a whopping 832 pages, making it the longest book I read in 2016. I absolutely loved it – it was a rip roaring yarn of a Victorian pastiche with an interesting structure that was enjoyable the whole way through. I loved the characters, I loved the plot, I loved everything about it.
Mythologies by Roland Barthes
Mythologies is a study of myth, which Barthes defines as a type of speech which presents ideology as natural and ahistoric. The essays in this book that were good were really good – relevant, incisive, delightfully interesting. And the conceptual framework – the essay “Myth Today” – is fantastic and essential reading for those interested in semiotics. Unfortunately I found that there was a significant chunk of essays which didn’t hold my attention or feel relevant – I don’t live in 1950s France, and so I don’t feel that the entire book was resonant. “Myth Today” and a wide selection of Barthes’ essays about everyday objects and phenomenons are great, but the whole book doesn’t seem like essential reading in my own context.
A Brief History of Seven Killings by Marlon James
This is a fictionalized account of the December 1976 assassination attempt on Bob Marley. It’s a dense book, told from many different perspectives, much of it written in Jamaican Creole, and with an interesting chronological structure. (It spans thirty years, but is only told one day at a time – that is, it takes place on December 3, 1976, February 15, 1979, August 14, 1985…) It is also a very dark and disturbing book and I don’t recommend it for the faint of heart – it starts off deeply, unremittingly violent and does not let up. James’ use of language is expert and the ripple effect plot and exploration of Western imperialism on the political and social climate of Jamaica are fascinating. It’s very broad thematically; it’s about music, imperialism, diaspora, gender roles, gang violence, and more. I found some characters and points of view more interesting than others. I also found that the structure – while ambitious – didn’t quite work, though it came close. I’d still recommend this book overall, but it’s not without its flaws and it’s an undertaking to read.
Fun Home: A Family Tragicomic by Alison Bechdel
Alison Bechdel’s 2006 graphic memoir poignantly weaves together the story of her father’s suicide shortly after coming out and her own emerging lesbian feminist identity. Her writing is sharp-witted and at times heartwrenching, her illustrations are evocative, and the book truly is “tragicomic”. There are a lot of interesting details hidden in the deceptively simple illustrations – if you read this one, definitely keep an eye on what the characters are reading. I found Fun Home incredibly resonant and touching and I think it’s a must-read lesbian lit pick.
The Sympathizer by Viet Thanh Nguyen
My second Pulitzer winner of the year! The Sympathizer is the confession of a Vietnamese Communist double agent written while in a prison camp. Our narrator is half-French, half-Vietnamese. He went to university in California and eventually moved back to Los Angeles as an adult as a refugee after the evacuation of Saigon in the mid-1970s. I adored Nguyen’s writing style and use of language, and I thought the story itself was incredibly interesting, readable, and fast-paced. The book is satirical and brings up a lot of interesting questions and ideas. Not only is it simply an enjoyable read, it’s also incredibly thought-provoking, grappling with the question of representation, American military imperialism, the dangers of inaction, and hybrid identity. I’d certainly recommend this one if you’re interested in any of those topics and looking for a compelling, incisive novel.
Beloved by Toni Morrison
This was the first book by Toni Morrison that I’ve read and I really enjoyed it. It’s about a woman who escapes slavery in Kentucky and her life eighteen years later when the ghost of her dead baby comes back to – literally – haunt her. It’s a very powerful and heavy story, but incredibly readable and sharply-written. The characters are incredibly interesting and the descriptions of slavery and other forms of violence are incredibly visceral and poignant. This novel has a lot of layers and I think occupies a lot of genres simultaneously: there are elements of magical realism and horror as well as historical fiction. Either way, it’s forceful as hell.
A breakdown of the books I read:
Written by women: 16
Written by men: 13
Written by people of colour: 9
Written by LGBT people: 4 (to my knowledge)
Written by white men: 9
Written by Canadians: 6
Overall, I’d say this was a good year for reading. I think I’ve become quite good at discerning what types of books I’ll enjoy, and there was nothing I truly disliked this year, just a few things that I found a bit disappointing or hard to get into. The lowest rating I gave on Goodreads in 2016 was three stars, which speaks to the quality of the books I read this year! I’m also surprised that 1/3 of the books I read in 2016 were non-fiction, since I’m really more of a fiction reader. Some of those were for school but most were on my own time. I’ll continue to read non-fiction as it piques my interest in 2017, but I’m guessing my ratio will be a lot lower this year as most of the stuff on my to-read list is fiction.
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