Posted on November 03, 2018 under Books
My reading slowed down a little bit in the first third of October, but I managed to read 10 books over the last two months, bringing me up to a total of 46. I’m very happy with this number! I now only need to read 6 more in November and December to make my goal.
Because I think books can be beautiful objects, this month I’m also sharing photos of some of the individual books that I think are particularly nice-looking.
The Miseducation of Cameron Post by Emily M. Danforth
To be honest, I thought this book would be okay but not amazing, but boy was I wrong. I absolutely loved the slow, lazy pace, the description of Cameron’s small-town Montana coming of age, the realistic emergence of her lesbian identity. I know some people find it a bit slow, but I thought the pace was perfect, and, you know, teenage lesbians never get the privilege of unhurried coming of age stories so I’m going to savour the hell out of this indulgence. Rarely do I encounter characters who feel as real as Cameron, whose tough façade, genuine conviction in who she is, deep insecurity, and unprocessed grief over the death of her parents converge in such delightfully authentic ways.
Women Talking by Miriam Toews
This is a book about mass, serial sexual assault. It is, consequently, incredibly heavy. It’s based on a true story and concerns a meeting involving eight women from two different families in a Mennonite colony in South America. Being women, they are illiterate, so they recruit a socially reclusive man from their community to record their conversation; the novel is in the form of the minutes of this meeting. The conversation is about the recent revelation that many women and girls from their community (including some of the women present at the meeting) have been given horse tranquilizer and repeatedly raped in the nighttime. The religious leaders of the colony have ordered the women to forgive their attackers, who are also members of the community. The women gather to discuss what to do next: namely, if they should stay and fight this injustice, or leave their community and start anew. It’s absolutely harrowing, but impeccably-written. Each woman has such a clear and distinct voice; Toews treats the topic delicately but completely gets across the immediacy of the dilemma. I think it’s fairly self-evident that those who are sensitive to portrayals of sexual assault (perhaps particularly in the current climate) may want to stay away from this novel, wonderfully-written though it is. It is incredibly powerful and incredibly disturbing.
Station Eleven by Emily St. John Mandel
I have read a lot of dystopian and post-apocalyptic fiction, so I appreciate when it’s done differently. This is a novel about the flu that ends the world, and it’s also about the troubled life of a thrice-married movie star originally from a tiny island off the coast of British Columbia. It’s a strange mixture, but the opulence of Arthur Leander’s celebrity lifestyle contrasts with the barrenness of the post-flu world – but there is also a symmetry in the isolation of fame and the apocalypse. The world-ending plague has linkages to real-life epidemics: its arrival in Toronto echoes the SARS scare of the early 2000s (I was just old enough to remember that), its spread via air travel reminiscent of Gaëtan Dugas, a Quebecois flight attendant long thought (erroneously) to be “patient zero” for AIDS. What I found most fascinating about this novel was the divide between those who remember the pre-flu world and look back on it with nostalgia and the younger generation, who view things like electricity and air travel as incomprehensible, akin to magic. It’s a very interesting, strange novel. Also, I’m a sucker for anything set in Toronto.
Deadeye Dick by Kurt Vonnegut
Not one of my favourite Vonnegut novels, but still impeccably-written. This one is about a man name Rudy Waltz, who in childhood accidentally shot and killed a pregnant woman and was ostracized from his Midwest community. As a narrator, Rudy seems so far removed from humanity, not necessarily sub-human but somehow inhuman, and he describes humanity with detachment that is borne of his alienness rather than sociopathy. It’s a book about the impacts of childhood trauma and social isolation on the psyche, which is interesting, but it does lack focus. I’m now ten books deep into Vonnegut’s catalogue, and while sometimes I encounter one that I think deserves to be considered on the level of Slaughterhouse-Five or Breakfast of Champions, I can see why this one isn’t often discussed.
On Beauty by Zadie Smith
Smith’s first novel, White Teeth, is absolutely enchanting. So far I have yet to read anything by her that comes close to matching it. She creates characters so wonderfully, and in On Beauty she perfectly captures the cerebral pretensions of academics who are so far removed from the real world that they damage their relationships. But – and, given its subject matter, it’s possible that this is the point – the book felt a bit smug, like its main purpose was to assert its own cleverness. It also felt a bit like a series of vignettes that never fully come together; it shares the issue of an anticlimactic ending with Smith’s NW. Reading her books is frustrating because White Teeth was so enjoyable that it’s almost painful to not feel that her obvious talent is realized.
America is Not the Heart by Elaine Castillo
This is a gorgeous portrait of Filipino communities in Northern California in the early 1990s. The main character, Hero, is a bisexual communist who comes to live with her uncle and his family after being a field doctor for a rebel army in the Philippines for a decade. Her upper class parents have disowned her for her political affiliations, and she must start over as an undocumented immigrant and unofficial nanny of her seven-year-old cousin. It’s a beautifully-drawn story about family, friendship, and diaspora. My only complaint is that the prologue focused on Hero’s cousin’s much-younger wife, Paz, whose story is very interesting – but she becomes a secondary figure in the rest of the novel, which is a bit disappointing!
My Brilliant Friend by Elena Ferrante
I really enjoy novels about fraught female friendships; one of my favourites is Margaret Atwood’s Cat’s Eye, and certain aspects of the relationship between our narrator Elena and her abrasive but dazzling best friend Lila remind me of that book. This novel follows their friendship from its establishment in early childhood until Lila’s wedding at age sixteen to a wealthy businessman. The girls’ respective power relative to each other and their community shifts as they grow up, and Elena ultimately finds herself in Lila’s shadow although she has far surpassed her academically. It’s a thoughtfully-drawn portrait of both female friendship and a country in the middle of a shift towards prosperity under modern industrialization. (I find Italian works set in the post-war period really interesting because the country changed so rapidly – Italian cinema is fascinating for the same reason.) The conclusion of the novel is rather abrupt (and does nothing to address the prologue, which is set decades in the future on the occasion of Lila’s sudden disappearance), but I guess that’s what the rest of the series is for.
Tell The Wolves I’m Home by Carol Rifka Brunt
Fourteen-year-old June is a misfit, understood by one person: her beloved uncle Finn. When Finn dies of AIDS in 1986, June discovers that he had a partner for a decade. June’s mother, who loved Finn but struggled with his sexuality and the stigma of his disease, made the total absence of his partner in June’s life contingent on her brother’s relationship with her. But in the wake of Finn’s death, June strikes up a secret friendship with Finn’s partner Toby, who is also dying. As some of my blog readers might know, I’ve consumed a lot of books and films about AIDS (particularly its early days) and everything in this novel felt realistic, particularly the way June’s family struggled to reconcile their love for Finn with their homophobia and the hysteria surrounding the disease. June was very believably fourteen, though I didn’t fully understand the genesis of her outcast identity.
Conversations With Friends by Sally Rooney
This is a book about people who think they’re very smart and politically radical but who gleefully participate in the institutions they claim to hate. It’s also about a twenty-one-year-old self-described bisexual communist (hey, a theme!) having an affair with a thirty-two-year-old actor who is the husband of a well-known photographer and writer who befriends her one night. I can see why thoughts are so divided here; none of the characters are likeable or display any sort of growth, and their political posturing is truly insufferable. It’s the kind of self-consciously clever novel that seems destined to irritate. But despite it all I actually liked it! It’s full of irony and subverted expectations: that these people can talk endlessly about radical politics while still living privileged lives, that despite the novel’s overt centering around conversations it’s actually about the repeated, sustained failure to communicate, that the sex scenes are without exception a bit pathetic. It’s not really a titillating story about an affair or a politically-meaningful text, but I think that’s what I like about it, that it starts doing these things and then purposefully stops short. The anticlimactic ending is fitting for these characters who are, despite their beliefs in their own intelligence, milquetoast bourgeoisie who are pathologically incapable of making good choices. It all sounds a bit grim, and it is, and I get why people would hate this one. Not really a ringing endorsement, but, hey, I really did like it and if you’re curious I think you should see for yourself.
Starlight by Richard Wagamese
Northern Ontarian Ojibway writer Richard Wagamese died in 2017 before completing this novel, which is about a woman and her daughter escaping from an abusive situation and coming to live on a farm run by a gentle nature photographer named Frank Starlight. There is a lot here that is substantial, compelling, touching. I find the exploration of communication and commonality fascinating, particularly because these characters are explicitly inarticulate and uncomfortable expressing themselves verbally. They find comfort in each other (and nature), affirming their love for others and the world around them in unconventional but profound ways. Starlight is also an interesting character – particularly his ambivalence about his Indigenous identity, which is tied up in the absence of his biological father. (This echoes Wagamese’s real life; he was raised in foster care and discouraged from pursuing his cultural heritage.) However, this novel does feel unfinished, and I don’t just mean because it literally stops halfway through. (I think this is handled well, actually, with an explanation of Wagamese’s intention for the ending, an excerpt from a work with similar themes, and a personal essay in which he explores the absence of his father, who died a year before he reunited with his biological family.) I mean it reads like a draft – a draft by a gifted writer, but a draft nonetheless. I’m talking long sections of pure dialogue, character motivations that don’t quite work, things like that. I think this book is best seen as a posthumous gift to longtime fans; as a standalone novel, it’s imperfect, and I imagine it isn’t the best introduction to his work. That said, I’d like to check out some of his completed novels to get an idea of his writing at its best.
I have a stack of eight books I’d like to get through before the end of the year – I’ll see you in two months with the final tally of 2018.
Posted on September 02, 2018 under Books
I was silent on my blog in the month of August because I was working on my dissertation, which is now finished and handed in. That means I’m officially done my Master’s! Anyway, I’m back with one of my favourite types of posts: a book roundup.
I read my thirtieth book in July, thus making my yearly goal less than 60% of the way through the year. Now I’d officially like to match last year’s count of 51 books, though of course if I could get to an even 52 – one per week – I’d be especially thrilled. (Okay, secretly my stretch goal is 60, so let’s say somewhere between 52 and 60 by December 31.) I read 11 books in July and August, bringing my total count to 36 so far.
Slapstick, or Lonesome No More! by Kurt Vonnegut
I have now read nine of Vonnegut’s fourteen novels, so I’m making pretty good progress at getting through his catalogue. I also have a good idea of where different things fall in my personal ranking, and while Slaughterhouse-Five, Mother Night, and Bluebeard still remain my top three, Slapstick is certainly a wonderful demonstration of everything I love about Vonnegut’s writing. Nobody does absurdism better, but Vonnegut manages to retain such an urgent sense of humanity. Slapstick centers on twins Wilbur and Eliza, who were born with a birth defect and who, together, have a singular genius mind. Throughout their lives, they are isolated in various ways – due to their appearances and intellect; through literal exile; thanks to a flu that causes the apocalypse. This novel is much more sentimental than Vonnegut’s work usually is, though I suppose that’s not surprising given that the introduction is about his sister’s death. I will say that this probably isn’t a fantastic entry point for those unfamiliar with Vonnegut’s work, but I certainly enjoyed it. I might even like it better than his best-known absurdist work, Breakfast of Champions.
The Five People You Meet in Heaven by Mitch Albom
I genuinely thought this was going to be a good book and now I’m happy that I only paid a few bucks for it on the Kindle store. Reading this novel, I could clearly picture Albom congratulating himself on producing heavy-handed saccharine drivel masquerading as something heartfelt and inspirational. It’s as though he crammed every sad thing he could think of into one story: war, car accidents, infertility, unresolved parental tensions, children dying… and yet all of it is surface-level, there only to impress upon the reader how profound this book is without ever truly engaging with any of these themes. All of the “deep” “inspiring” “beautiful” life lessons are delivered via dialogue; the reader is not left any room for personal interpretation or revelation but simply force-fed sappy tripe. The section on war was at first promising, but instead of concluding that war is destructive and violent and life-ruining, Albom ended up with a watery version of “dulce et decorum est pro patria mori”, a sentiment that was passé by the end of WWI. Throw in advocating for forgiving rapists and child abusers and you’ve got a book that certainly sets my own political consciousness on edge. Regardless, though, I think this is a poorly-written, clumsy novel and I have no idea how it has managed to capture so much attention.
The Passion by Jeanette Winterson
Longtime readers will know that historical fiction pre-1900 isn’t a genre that I dabble in frequently. The era of Napoleon’s reign is very far outside of my fictional interests. But for Jeanette Winterson, I can make an exception – especially if the book includes a lesbian romance. Winterson’s writing is exquisitely atmospheric, and she packs in the most gorgeous magical realism. (You may know that while I stay even further away from high fantasy than historical fiction, I am very into magical realism.) It’s a rumination on the human effects of war and the strength of love, and above all a very evocative tale about the ability of passion to both create and destroy.
They Can’t Kill Us Until They Kill Us by Hanif Abdurraqib
Academically, I have always been interested in the study of popular culture. (My undergrad was basically in pop culture studies, and my graduate work has focused primarily on reality television.) Hanif Abdurraqib’s essays so beautifully illuminate why: because popular culture tells us so much about the quotidian, about the personal, about how mass-produced art touches us in profound ways. Abdurraqib does not simply write about music or sports; he writes about being Black and Muslim in America, about love, about loss, about growing up. Pop culture is how he, like so many of us, makes sense of the world and his position in it. He mediates his complex thoughts, his heartbreaks and victories, through pop culture, or perhaps it’s the other way around. It’s no surprise that he’s a poet, though his lyrical prose remains clear and insightful. He just has such a masterful command of language, and so it’s not only a joy to read his thoughts on Fall Out Boy or Serena Williams, it is delightful to marvel at his technical ability. Though he grapples with many unpleasant truths – about premature deaths, about police brutality, about the insidiousness of racism and Islamophobia in their many forms – there is something life-affirming about his writing. He searches for the good while remaining aware of the presence of the bad. It’s exactly the collection of essays that needed to be written in this hellish Trumpian era, and that demands to be felt deeply when we are close to losing hope.
How to Survive a Plague: The Story of How Activists and Scientists Tamed AIDS by David France
It is only natural that the LGBTQ community and movement have changed so much since the early days. But it’s also a bit sad that so much history has been forgotten, AIDS only a footnote to so many. This can’t necessarily be attributed to wilful ignorance; of course, the disease decimated a generation of gay men, so many of them incredibly young, and many stories died along with them. This book obviously deals with the unthinkable magnitude of loss; the complicity of the government and scientific community in ignoring, commodifying, and amplifying the crisis; the brutal homophobic rhetoric that the crisis engendered. But it’s also a hopeful book, because it shows us what activism can do. No, HIV/AIDS should not be thought of as something of the past, but it is undeniably true that thanks to the tireless work of scientists and activists – many of whom, it must be recognized, were gay people with AIDS – the life expectancy and quality of life for those with HIV/AIDS have improved dramatically since the early days of the crisis. And so in such a dark and horrible time, I think this book is a necessary reminder of what we can accomplish through meaningful grassroots activism, and that marginalized communities absolutely can advocate for themselves to create change. This book deals with an expansive and emotional topic, and it demands delicate treatment: it must be both meticulously-researched and deeply compassionate. David France, a gay journalist who was involved in early AIDS activism and who personally knew many of the key players, is the perfect author. His writing is packed with information but so engaging, and his ability to personalize the stories of the people who tamed the disease is incredible. This book contains so much humanity within its 515 pages. It’s an important, stunningly-written history.
France directed a 2012 documentary of the same name, which is also great (though far narrower in scope). I also highly recommend the short documentary When AIDS Was Funny, about the Reagan administration’s deafening silence on the crisis as it claimed thousands of bodies.
One Day We’ll All Be Dead and None of This Will Matter by Scaachi Koul
I’ve enjoyed Koul’s Twitter presence and longform content for several years now, and her book is just as funny as I would have expected. Her essays (mostly) center around womanhood and being the first-generation Canadian daughter of Indian immigrants, and her exploration of the complexity of her family dynamics is wonderful. I just wanted there to be a bit more of a wow factor than I found – though perhaps that’s because I read it immediately following two incredible, substantive, emotionally-powerful non-fiction books. I’d still totally recommend this – it’s just not as good as, say, They Can’t Kill Us Until They Kill Us.
Eleanor Oliphant is Completely Fine by Gail Honeyman
Eleanor Oliphant leads a simple, predictable, and repetitive life, but when she witnesses an accident on her way home from work, everything changes and she is forced to confront her loneliness (and her childhood trauma). Eleanor is a hilarious character, with the running gag of the novel being that she is quick to chastise others for their poor social skills even though she is the one behaving in an unusual way. I don’t often come across novels set in Glasgow, and the friendliness and warmth of the supporting characters is very much in line with my experience of Scottish people. (By the way, I have done some calculations and determined that, given that Eleanor lives in the West End and there is only one Tesco Extra in the West End, the book must be referring to the Maryhill Tesco where I did all my shopping.) I think Eleanor’s various eccentricities require a slight suspension of disbelief, and the big reveal at the end was (mostly) easy to piece together – though there is a substantial twist which is then bizarrely not fully explored. It’s a very enjoyable read which strikes a good balance between dark and fluffy, but it’s not without its flaws.
An American Marriage by Tayari Jones
Roy and Celestial have only been married for a year and a half when Roy is convicted of a crime that he did not commit. At first, they try to make their marriage work while he is in prison – but as time goes on, they grow apart, up-and-coming artist Celestial’s cerebral world so far removed from Roy’s reality. But when Roy’s conviction is overturned, he wants to return to their marriage, though Celestial has moved on. Though I wished at times that the book explored the political aspect of the story, Jones’ portrayal of the human cost of racialized unjust incarceration was poignant and believable. All sides were sympathetic, the conclusion realistic and satisfying.
Pachinko by Min Jin Lee
I picked this up thanks to Elena‘s recommendation, and I’m very glad I did! This novel follows four generations of a Korean family who are displaced to Japan. It spans the better part of the 20th century, and it is clearly meticulously-researched. Above all, this is a novel about the strength and importance of family, particularly in the face of challenges (discrimination, immigration, war, loss). The writing is beautiful; Lee’s ability to capture a particular setting – whether urban or rural, the 1930s or 1980s – is wonderful. I loved the characters; each was distinct and sympathetic though flawed. I think the book tends a bit towards melodrama in certain areas, and I wished that some of the characters’ storylines hadn’t been tied up as an afterthought. But I think that this is an ambitious and beautifully-written book which so evocatively portrays the struggles and triumphs of a single family in a fraught sociopolitical climate.
Crazy Rich Asians by Kevin Kwan
This was the inaugural work book club selection. It’s a very quick read and it makes a compelling spectacle, though it’s not particularly well-written. It was pretty clearly written by a man; the descriptions of the female characters were just… very male-gaze-y, and so many of the female characters are vapid, bitchy, class-conscious gossips. I imagine the movie is a lot better: all the joy is in witnessing extreme opulence, and surely a visual medium has the upper hand there. And you don’t even have to slog through sloppy writing to get to it!
The Incendiaries by R.O. Kwon
This is a very difficult book to write about. It’s allegedly about a college student named Phoebe Lin, who in failing to process her recent trauma joins a cult. It’s narrated by her boyfriend, Will, who has recently left his zealous faith. But really this book is mainly about an emotionally-scarred, hot young woman and the boyfriend who is obsessed with the idea of her. It’s almost disappointing that this was written by a woman, as if men haven’t forced this tired narrative on us enough. The book isn’t all bad; it’s thought-provoking and I really can’t fault Kwon for how well she evoked such a dark, uneasy atmosphere throughout. But the explorations of religion and grief seemed quite surface to me, and there were almost no actual details about the cult. I mean, surely we’re all in it for the probing psychological profile of cult members, the tales of scandal that happen within. (I personally find cults second only to serial killers on the morbid fascination scale, so you know I was waiting for it to get juicy.) Maybe I wanted it to be a book that it just wasn’t. That’s also kind of how I felt about Donna Tartt’s A Little Friend. But this book sort of does a similar thing to that one: its summary is a bait-and-switch. If you accept that and take the book for what it actually is, maybe it’s better. Another Donna Tartt reference: the unrealistically pretentious, sinister small-town college student thing does beg comparison to The Secret History, though it’s certainly not at that level. It’s a strange one. Maybe you should read it and make up your own mind.
I predict my next post will feature quite a few books as well, as I recently started a new job with an hour’s commute each way – prime reading time! I have a big stack waiting for me, too.
Posted on July 01, 2018 under Books
Happy Canada Day! We’re now halfway through 2018 (ahhh!) and I’m feeling very good about how this year is going books-wise.
May was a bit of a wash; I was travelling and then preparing for and executing a cross-continental move. But I got back in the swing of things in June, and I think I managed to read a respectable amount. In these two months, I read 6 books, bringing my yearly total up to 25 – which means I’m halfway to 50 halfway through the year. I set a goal of 30 for 2018, so I think it’s safe to say I’ll be meeting that. Since I’m doing so well, I’d be happy if I could stay on pace and meet (or exceed) last year’s total of 51.
Tampa by Alissa Nutting
This book is based on the real-life case of Debra Lafave, who molested one of her fourteen-year-old students. (Generally the media describes Lafave’s in softer terms such as “seducing” her student, because that’s how we talk about female sexual predators, I guess.) It absolutely succeeded in getting me in the head of a pedophile, which ultimately is not a place that I care to be. Celeste’s monologues were very well-written, reminding me a lot of Amy Dunne’s self-righteous, angry narration in Gone Girl. Clearly, Nutting is truly talented, and that talent is what elevates this book above the simple category of “shock value smut”. That said, I don’t think it’s an especially complex novel, and since the subject matter is so stomach-turning it’s not one I’d ever revisit or even recommend to anyone. Needless to say, it has the potential to be incredibly upsetting if not triggering, so please proceed with caution.
Ready Player One by Ernest Cline
I wrote a very scatching review of this book on Goodreads. Here are some of the salient points, though you are very welcome to read the whole thing (as well as some of the other one- and two-star reviews on there, because they’re amazing):
You know those people who use their extensive knowledge of pop culture as a substitute for a real personality? This is the literary equivalent of that. I’m not against a book whose primary function is spectacle over substance; sometimes you just want to be dazzled as a reader. It’s like the cinema of attractions in book form. That’s cool. It’s just that this wasn’t a spectacle that I particularly enjoyed.
[Lack] of incredible writing chops does not necessarily deter me from enjoying a book. A formulaic, predictable plot does, though. Watery social commentary that any half-sentient sixteen-year-old could come up with does. A novel that is packed full of pop culture references but completely lacking in any indication that the author has heard of a single woman in his life does. … Art3mis is afforded the wonderful plot of “Is she hot in real life and will she sleep with our protagonist?” She’s a blatant male fantasy: chock full of all the requisite masculine nerd culture references but a curvy, pretty woman instead of a basement-dwelling man. Wonderful! Emailing Art3mis to warn of imminent danger, Wade charmingly adds “PS – I think you look even more beautiful in real life,” because every intelligent, accomplished woman wants unsolicited, condescending affirmations about her appearance when she’s being hunted down by an evil corporation.
Ready Player One depicts a bleak future, but it doesn’t draw any attention to one of its most disturbing elements: the lack of female influence on the cultural, social, and political landscape. This book is a celebration of a male-dominated nerd canon disguised as an adventure novel slash social critique. If you’re into the male-dominated nerd canon, you might enjoy its spectacle. Clearly, I did not.
Scarborough by Catherine Hernandez
Scarborough is a suburb of Toronto, amalgamated into the city in 1998 by an evil premier who we will not speak of. (I’m not a fan of amalgamation, but that’s another story.) It’s one of the most ethnically diverse areas of Toronto, itself one of the world’s most multicultural cities. Scarborough compassionately and complexly tells the intersecting stories of various low-income people who live in Scarborough. They are all united by a morning literacy programme offered at a local school, with many of the children attending for the promise of free breakfast. Almost all of the characters in this novel are people of colour, and Hernandez’s care and research in representing their cultures and experiences living in Canada is evident. She writes children and adults equally convincingly, affording every character compassion and nuance. The standout character is the literacy programme coordinator Hina, who you just hope is really out there supporting low-income communities, standing up for herself, and just generally being lovely and strong. Though this novel certainly has its fair share of sad – and even heartbreaking – moments, it’s not tragedy porn. It’s simply the story of a community and its resilience. I absolutely love reading novels set in Toronto, and I’m so glad that Scarborough exists to such local acclaim – these are stories that are not often told but that are so important for us all to understand as neighbours. I don’t remember the last time I was so gripped by a book that I read it in one sitting!
Under the Udala Trees by Chinelo Okparanta
Some of the best modern fiction is being written by Nigerian and Nigerian-American women, and I’m so glad that books like this, Homegoing, and of course Chimamanda Ngozi Adichie’s works are gaining international attention. Under the Udala Trees is about Ijeoma, who comes of age during the Biafran War in the late 1960s. Sent away to be a housegirl for a grammar school teacher and his wife, Ijeoma meets and falls love with a Muslim girl named Amina. While I found the prose a bit stiff at times, the story was beautiful, the character of Ijeoma so richly-drawn and believable. In general I never tire of LGBTQ narratives, but it is true that so many are white and Western. I’m endlessly glad that this book exists, and Okparanta has so much to say about homosexuality in Nigeria, both within the novel and outside it.
Lives of Girls and Women by Alice Munro
Some of the best feminist-oriented coming-of-age stories have been produced by Canadian women. Alice Munro is best known for her short stories (she’s won a Nobel Prize!); Lives of Girls and Women is her only novel, though it could be argued that it’s a series of short stories centering on the precocious Del Jordan. Born in the 1930s, Del is raised by an enlightened, progressive mother in the small town of Jubilee, Ontario. The book follows her from age nine to young adulthood as she navigates the social and sexual expectations of a rapidly-changing world. The lives referenced in the title represent the different people Del is throughout the book as well as the different paths she could take. Her mother represents what she would have been reduced to had she been born a generation earlier; her friend Naomi represents the more conventional path taken by women. But Del is not a beacon of feminist consciousness like her mother. She is curious and sharp, but she pushes back against her mother’s progressive politics, looking for something greater than herself but also craving normalcy. She’s a fascinatingly complex character, a very convincing portrait of a young woman in the 1940s and 50s.
The Picture of Dorian Gray by Oscar Wilde
I got it into my head that I want to read all of the books on that fake BBC-endorsed “100 books to read before you die” list, mostly just to say I had but also because there’s probably some good stuff on it. I’m still trying to decide if I should do it or not, and the biggest deterrent is the 50,000 pages of Dickens I would have to read. I thought I’d dip my toes into it and read some of the books I’m actually interested in, and I started with The Picture of Dorian Gray. Obviously I knew the basic story, but hadn’t actually read it. I ended up really liking it – it’s full of drama, intrigue, murder, and hyperbole about how having to watch a bad play is a truly torturous experience… basically everything you need in a late 19th century novel. I thought the character of Lord Henry was the most interesting; though the novel centres around Dorian and all of his soulless indiscretions, Henry is just as terrible – and he hasn’t even sold his soul for eternal youth. Of course, the dramatic tension of the plot was enough to reel me in, but it’s also a fascinating character study.
Out of the six books I read in May and June, there was only one I really disliked – all the others were very enjoyable. Can’t complain too much about that!