When I was in London last weekend, I had the chance to see Alexander McQueen: Savage Beauty at the Victoria and Albert museum (for free, thanks to Aisling‘s membership). I’d heard incredible things about the exhibition from those who had seen it at the Met in New York, and I was incredibly excited to go.
It did not disappoint. The exhibition was unbelievable – so well-curated and presented. Alexander McQueen was a visionary and his work speaks for itself, but the presentation of the exhibition was incredibly tasteful and atmospheric, lending itself to enhancing the garments without distracting from them.
No photos were allowed inside of the exhibition hall, but Aisling bought the accompanying book and I have some pictures to share from that, which I hope will help to capture the feeling and scope of the show.
For someone who is incredibly interested in the creation of an aesthetic sense of self, I found the show absolutely inspiring. McQueen’s imagination seemingly had no limits, something that’s obvious when you wander through room after room of extravagant, wild, and ultimately beautiful clothing. I’m reminded of when my friend Ashley said that “looking at textures, patterns, and colors in runway clothing is a great source of inspiration; I like thinking about how to recreate a certain mood.” All the pieces displayed throughout the exhibition were indeed incredibly moody, and I think would lend themselves well to beauty inspiration.
Aside from the idea of translating clothing into makeup looks, there’s also the hair and makeup itself. The book is chock full of beauty inspiration, from the soft and ethereal to the almost grotesque. There’s something for everyone, makeup-wise. I often love runway makeup for the same reason I love haute couture collections: there is no constraint of “wearability”, which allows us access to some of the most unrestrained creativity and artistry on the planet.
There was a piece in the book about the makeup of the Alexander McQueen runway shows, which I found fascinating. It read almost as a visual analysis that you’d find in an art history or film class, deconstructing the makeup choices, their symbolism, how they contributed to the collections they were a part of, and what these choices say about femininity.
The show was amazing in itself, but as someone who obviously has quite an interest in beauty, I found it particularly inspiring.
The show is on at the V&A Museum in London until August 2. Tickets cost £17.60 (free for V&A members) and can be booked online. If you have the chance to go, I heartily recommend it – you won’t regret it.
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